When the time came for them to record their second EP, Slappy, in 1990, Billie Joe Armstrong decided to pay homage to another Gilman Street mainstay by covering Operation Ivy’s “Knowledge” as the closing track. Best Of, Lists The Top 50 Goth Songs by Treble staff. Most notably, On the Cover included an inspired version of A-ha’s “Take On Me” a couple years before it became one of the de facto pop-punk covers of the late ‘90s. Sure, Further Seems Forever spiced up this classic *NSYNC track with drums and a prominent bassline in the verses, but otherwise, there isn’t much that stands out in this cover. 52,280 101 Shows I've Watched at Least One Season Of. Our biggest question: Why weren’t the “Oh”s screamed more prominently? Listen to 100 Best pop-punk songs ever in full in the Spotify app. Check out 12 of Billboard’s favorite punk rock Christmas songs below. It’s clear that the band had a lot of fun with this cover, but we definitely would’ve liked to see more of the guitar and drums that made the instrumental parts of the chorus so awesome. It appears that Shonen Knife’s cover has some pop cultural legs as well, as the song appeared a year after its initial release as the closing theme to the 1995 film The Last Supper and has shown up again as recently as last year’s Gilmore Girls: A Year in the Life reboot. While the song itself is fine enough, what has made it most significant is the sentimentality of what it has signified for both bands—a tribute to one band that has turned into an on-stage ritual for the other. Masterfully driven along by the band’s ska-core boom and Dicky Barrett’s instantly recognizable bark, their cover of “Ain’t Talkin’ ‘Bout Love” is made exceptional by the quick snippet of The Specials’ “Nite Klub” they throw into the cover’s bridge. This wasn’t one of those times. series had already strayed from its first titular genre when the third volume was released in 2010. Sometimes, changing up the entire feel of a song—tempo and key included—totally works. Ditching the carefree pop vibe for a much darker, heavier sound, added some really interesting elements, both vocally and instrumentally, to, For the most part, the balance between screams and clean vocals in, Say what you will about the lack of screaming and breakdowns in this cover, but there’s definitely something to be said for this stripped-down version of, . The only major flaw here is that frontman Anthony Raneri’s vocal style is just a bit too straightforward for a Sean Kingston song. (Here’s looking at you, Sex Pistols). If Martha Quinn announced a song’s MTV video premiere—no matter the original genre—there’s a good chance that a punk band has taken a sonic swing at it. The members of Silverstein certainly don’t need to apologize for their faster yet just as emotional (if not more) rendition of this well-known song. Ultimately, WCAR’s cover sounded a little too much like the original to be a standout Punk Goes… song. Rolling Stone named The White Stripes' cover of Parton's timeless, aching "Jolene" one of the greatest remakes ever. Without any other distinctive sonic features to add staying power, “Send Me An Angel” is a pretty underwhelming cover. Listen to 100 Best pop-punk songs ever now. However, it was pretty cool to see the band give the song a new meaning through a clever and powerful music video, and to go harder than the likes of Justin Bieber ever could, even if the approach didn’t quite fit the song. There For Tomorrow frontman Maika Maile’s beautiful voice works well for this emotional R&B song. 10 in our list of Best TV Theme Songs) struts in a way that is pitch perfect in tempo, delivery and snarl, while the dual liberated feminist icon symbolism adds an additional layer to her quintessential sonic swagger. For example, their five-track EP The Holiday Has Been Cancelled contains elements of wah-wah horn lounge rock, ska-tinged hardcore, twangy alt-country cowpunk and an ABBA cover. The Damned released their “New Rose” 7” single five weeks before the Sex Pistols released “Anarchy in the U.K.” and they included a breakneck cover of The Beatles “Help!” as the non-album B-side. But if you’d rather keep your rowdy and raucous reworkings to singles, please find the 30 best punk rock cover songs below. So, given, ’s massive popularity in the scene at the time, it only made sense to feature the singer-songwriter on the album. in 1991, the five-track EP included a trio of covers—Aerosmith’s “Sweet Emotion,” Metallica’s “Enter Sandman” and Van Halen’s “Ain’t Talkin’ ‘Bout Love.” “Sweet Emotion” and “Enter Sandman” are both fast-and-sloppy also-rans, but “Ain’t Talkin’ ‘Bout Love” stands out as a really solid example of early Bosstones magic. The blasting horns jettison the cheesy 90s Disney pap and transform this song into what should be a damn well-known pop punk cover. Incredible stuff. While The Doors aren’t exactly typical punk cover fodder, the fact that Doors’ keyboardist Ray Manzarek produced_ Los Angeles_ makes that choice a little more understandable. The October roundup of punk column In Defense of the Genre includes recent news and features, along with a list of the five best songs of the month. When Dead Kennedys released their debut album Fresh Fruit for Rotting Vegetables in 1980, songs like “Holiday in Cambodia,” “California Über Alles” and “Kill the Poor” thrust the feisty foursome (and especially lead singer-songwriter Jello Biafra) into the limelight as a politically charged punk band. To top it all off, frontwoman Jenna McDougall’s vocals are incredible. Who knew a Japanese garage punk girl group could cover an American rockabilly song so well that it could help sell Canadian beer. If this is punk sacrilege then we’re going straight to hell. When The Ataris released their fourth album So Long, Astoria in 2003, “In This Diary” was tagged as the album’s lead single. The Slits, “I Heard It Through The Grapevine”. To put things into perspective, in 1981 the sadly defunct Sounds magazine compiled a list of the top 100 punk songs, as voters by their readers, and even then there were some glaring omissions. California alternative rockers Noise Ratchet decided to take Mandy Moore’s “Crush” in a different direction for their contribution to the very first Punk Goes Pop album. While Sharon Jones’ funk-fueled “Take Me With U” and Mariachi El Bronx’s festive waltz through “I Would Die 4 U” expertly showcase Prince’s far-reaching sonic imprint, Purplish Rain’s explosive opening track—“Let’s Go Crazy” by Riverboat Gamblers—shows that The (painfully missed) Purple One translates to punk rock just as comfortably as anything other genre. While they definitely succeeded in making the song feel less cheesy, their approach was a little too out there, and this track would have been best left to its sweet simplicity. Right before the deluge of ‘80s punk covers that oversaturated the late-’90s and early-’00s, Bremerton, Wash. pop punk trio MxPx beat most bands to the punch with their knockout cover of A-ha’s “Take on Me” from their 1995 On the Cover EP. album, lacked the feeling of desperation that characterized the original song, and the intro feels all but empty without that celestial synth. After all, what’s a ’90s pop hit without them? also sets the perfect getting ready for a night out at the club vibe—that is, if the club happens to have a metal band performing that night. There’s no denying that X’s 1980 debut album Los Angeles is one of the best and most influential punk albums of all time, thanks in some small part to what they did with their searing cover of “Soul Kitchen” by The Doors. Right off the bat, you know a John O’Callaghan/Adam Lazzara collab is going to be worth listening to. But in this case, the changes worked simply because Sparks The Rescue committed to altering the whole mood and tone of the song. No strangers to cover songs, the Japanese all-female pop punk trio often performs as The Osaka Ramones and even released a full-on Ramones cover album in 2011. “Apologize” – Silverstein (originally by OneRepublic) Thankfully, the second and third choruses are a bit more rock-infused. You can certainly try to listen and do your best to not sing along, but resistance is futile when the Mad Caddies meet mid-‘70s disco. Here are some of my favorite punk and Oi! Their cover of the Beatles Dear Prudence is also excellent. The Donnas have always seemed to be equal parts Runaways and Ramones and their cover of “Dancing With Myself” blends the best of both influences with their own tough-girl twist. Sparks The Rescue made more changes to Lady Antebellum’s (now Lady A) “Need You Now” than what’s typically heard on a Punk Goes Pop track. 3. The blueprint of a punk band covering a punk song isn’t a guaranteed recipe for success, no matter how well-intentioned. Cute Is What We Aim For conveyed the feeling of having been traveling on the same road for too long by slowing down the tempo, dropping the key and adding acoustic guitar to this dark T.I. classic. Bonebrake’s unrelenting drumming all help made “Soul Kitchen” sound like quintessential X material. song. This is just one of many instances across the seven, albums where the issue wasn’t so much the band’s approach to the song but rather the choice of song itself. series know, nailing a cross-genre cover is an art all its own. The Mighty Mighty Bosstones, “Ain’t Talkin’ ‘Bout Love”, 26. However, they did interpret the quiet bridge beautifully. While it’s always a respectable move for a younger punk band to pay homage to an older one, it was especially meaningful during the punk upswell of the mid-’90s when bands like The Offspring, Rancid and Green Day were getting recognition and achieving success at a level that older punk bands like The Damned never did. Without any other distinctive sonic features to add staying power, “Send Me An Angel” is a pretty underwhelming cover. Not only does the band still play it in concert to this day, but it’s also been a longstanding tradition to invite a random audience member or two up on stage to play their instruments (often sending the temporary band member home with a guitar, as well). Genre discrepancies aside, it’s impossible to deny the success of one particular subseries: the Punk Goes Pop albums. Go Radio frontman Jason Lancaster’s voice packs the same emotional punch and features the same soulful rasp as Adele’s. Here are the top 50 ‘Punk Goes Pop’ covers of all time 1. While surveying the ferociously fun punk covers landscape to compile a proper best-of list, there are a few things that become immediately apparent. They honored the tender sound that English singer-songwriter James Bay is known for while still managing to add their own twist and an extra layer of emotion, thanks in no small part to frontman Landon Tewers’ incredible vocal performance. ... Best Written Television Series of All Time. … Originally called “(I’m Not Your) Steppin’ Stone” for all of its ‘60s renditions, Ian MacKeye and company shaved down the title and ramped up the tempo for Minor Threat’s assaulting cover. Fearless Records’ famous Punk Goes… franchise has certainly come a long way since its first installment in 2000. Apart from a couple minor drug-referencing lyric changes, Biafra and company approach the cover in a pretty straightforward punk manner, allowing “Viva Las Vegas” to serve not only as double dueces to one of rock music’s sacred icons, but it also functions as a fun, easy-access entry point to such a provocative and controversial band. Batman Forever may have its share of questionable moments (nipples on the batsuit? We love Jake Luhrs’ screams as much as the next person, and there are definitely a few sections where August Burns Red’s heavy sound fits, but clean vocals almost seem like a requirement to capture the undeniable emotion in Miley Cyrus’ “Wrecking Ball.” A mix of the two styles might’ve made for a more compelling cover. Music, Film, TV and Political News Coverage. Plenty of pop punk bands have put their own spin on tracks you've probably heard (or hated) in the charts, but we decided to compile a list of our favourite 12. Recorded for the 2004 movie Mean Girls, the song appears over the film’s closing credits and kicks off the hit-or-miss soundtrack in style. It’s easy to see why the cover works so well in so many contexts: hearing such an iconic song filtered through such an iconic voice offers its own immediate accessibility, but having the extra gravitas of it being posthumously released adds an extra layer of celebratory remembrance to the whole experience. We also self-imposed a rule of only including one cover per band, just to keep this from being unequally overrun by prolific punk cover pros like the Ramones, Dropkick Murphys, MxPx and Me First and the Gimme Gimmes. Play on Spotify This was another less-than-perfect cover that mostly came down to poor song choice for the band’s style. However, what’s notable about their cover song choices—apart from the fact that they literally made each one sound like a Ramones original-is how many of them were of the sun-and-surf variety. Genre discrepancies aside, it’s impossible to deny the success of one particular subseries: the. ’s heavy sound fits, but clean vocals almost seem like a requirement to capture the undeniable emotion in, Maybe it’s unfair to expect a primarily pop band to change the feel of a pop song all that much, but. This is what happens when the worlds of punk and metal collide. For X’s part, “Soul Kitchen” is almost unrecognizable as a Doors original, as Exene Cervenka’s unmistakable howl, John Doe’s gruff background vocals, Billy Zoom’s vigorous guitar work and D.J. Somehow, this month's cover starsmanaged to make this song even more filthy than when it was first recorded for 'Punk Goes '90s Vol. For the most part, the balance between screams and clean vocals in Alesana’s rendition of “What Goes Around…Comes Around” feels pretty solid. ... 10 Best Songs. to cover this track, we would’ve liked to see them do more to change it up from the original. Top 10 punk rock love songs. While “California Sun” from their third album (1977’s Leave Home) fits easily into this odd segment of their covers oeuvre, it also contains a certain spark that elevates it into being one of the band’s more celebrated covers, as evidenced by its resurfacing in their 1979 film Rock ‘n’ Roll High School and on a wide variety of their compilations and live albums. wins this round. albums. 5. Ironically, the Starting Line’s uptempo rendition of J-Lo’s “I’m Real” has a more raw and authentic feel to it than the original. Jett’s version of “Love Is All Around” from The Mary Tyler Moore Show (which, by the way, is No. After the Red Sox World Series win, Dropkick Murphys included “Tessie” as a bonus track to their Warrior’s Code album released the following summer and added famed Boston sports broadcaster Joe Castiglione’s “Can you believe it?” call of the final play as the song’s intro. Admittedly, there probably aren’t too many tenor vocalists out there who could fully match the power and soul in Queen B’s high notes. However, the howl gets lost in the breakdown. Andy Biersack and Juliet Simms’ rendition of “When We Were Young” seems to be one of the more controversial covers in the entire Punk Goes Pop series. track with drums and a prominent bassline in the verses, but otherwise, there isn’t much that stands out in this cover. While the Amity Affliction’s cover of the Weeknd’s “Can’t Feel My Face” was a valiant effort, the note changes in the chorus and prechorus were enough to make the whole track sound somewhat off. Punk covers of ’50s and ’60s songs aren’t a booming genre, but there’s a surprising number of them out there. Despite the new key, tempo and pop-punk instrumentals, it still has all the emotion of a breakup song. ), but its soundtrack introduced a new generation to The Damned via The Offspring, so it’s a win overall. The rewardingly diverse tracklisting placed alt-rock radio acts (Collective Soul, Green Day, Helmet) alongside hip-hop collectives (Wu-Tang Clan, Beastie Boys, House of Pain, Coolio and 40 Thevz) and even sprinkled in some surprises like Tom Jones covering Lenny Kravitz’s “Are You Gonna Go My Way?” and indie darlings Superchunk appearing on a major movie soundtrack. While The 5.6.7.8’s kinetically bouncy cover of the 1950s rockabilly quasi-instrumental “Woo Hoo” was originally released on the Japanese trio’s 1996 album Bomb the Twist, it gained a significant amount of popularity in the early 2000s thanks to its in inclusion in Quentin Tarantino’s Kill Bill: Volume 1. In this particular case, the style of the original song might’ve just been more fitting. Say what you will about the lack of screaming and breakdowns in this cover, but there’s definitely something to be said for this stripped-down version of the Plot In You. State Champs stayed true to the original in many ways, adding their own sound in all the right places. Yellowcard’s cover of Michelle Branch’s “Everywhere” is undeniably one of the most memorable and well-done tracks on the album that started it all. © 2021 Paste Media Group. Jack White, singing from the feminine perspective without a trace of irony, brings down the house in his epic rendition of a country classic. Shares (Image credit: Getty) There was once a time when punks and metalheads were mortal enemies. Their blistering cover of Ritchie Valens’ “La Bamba” (the B-side to their “Achin’” 7” single in 1981) was a high-water mark for the group, itself a commentary on their Latino roots that was both celebratory and satirical, though the ratio between those two elements is up for debate. But fear not! Miss May I’s sound lends itself well to an edgy hip-hop song such as Jay-Z’s “Run This Town.” Some of the band’s rhythmic choices feel a little off, particularly in the verses, and their interpretation of Kanye West’s section comes off as less effective than the original. A great punk cover of the Crickets song. track reimagined as an aggressive metalcore song, the balance between the screaming and blunt sung vocals felt a bit odd. This wasn’t one of those times. To top it all off, frontwoman. However, they did interpret the quiet bridge beautifully. In fact, we’re not sure the band could’ve picked a better “pop” song to cover for the seventh Punk Goes Pop album. Like the original version of, also sets the perfect getting ready for a night out at the club vibe—that is, if the club happens to have a, ’s cover of Britney Spears’ iconic single “Toxic” feels well placed, and the drums and guitar make the song feel much more exciting. Go Radio — "Rolling … From his nimble-fingered intro to his electrifying runs during the song’s chorus, Freeman’s bass line foregoes the standard root-note punctuation for a compelling counter melody that supercharges the song into new sonic spaces. 22. Second, punk bands love covering The Beach Boys. Despite planting his roots firmly in the country community, Orville Peck dances on the edge of the alternative world with his groundbreaking sound and aesthetic. Songs May 1, 2005 22:08:39 GMT . A list of the greatest ‘Punk Goes’ covers of all time All Time Low – ‘Umbrella’ (Rihanna cover). Features Best Cover Songs: 25 Definitive Cover Versions You Need To Hear. When she released her adaptation of Them’s “Gloria; as a single from her landmark debut album Horses, she used a scathing live cover of The Who’s “My Generation” as the single’s B-side. Years before the platinum-selling polish they showed on 1997’s Let’s Face It, The Mighty Mighty Bosstones showed a spunky pioneering spirit on tracks like “Ain’t Talkin’ ‘Bout Love.”. It hasn't seen much action. We will argue it’s not even so much that Alexander DeLeon’s voice doesn’t work for the song; it’s more that his singing lacks the distress that Rihanna’s conveys. It’s seminal release, Punk Goes Pop Vol. In this particular case, the style of the original song might’ve just been more fitting. Breathe Carolina — "See You Again" (Miley Cyrus). The choruses in this cover by SECRETS are nearly flawless, but this is one of those instances where replacing rapping with screaming in the verses doesn’t work as well. They honored the tender sound that English singer-songwriter, From the same movie soundtrack that gave us “Heathens” (, , only enhances the song’s eerie vibe. This cover has lots of great qualities, but it could’ve been better if, did add an acceptable amount of screaming—and a brilliantly crafted breakdown—to make this more than just your average. Sara Bareilles’ “Love Song” is the epitome of mid-2000s, midtempo, piano-driven pop. 17 Rock, Metal And Punk Covers Of Pop Songs That Actually Rule. While The Donnas flirted with classic rock and heavy metal in their later albums, the Palo Alto foursome always built their sound and ethos on good old-fashioned punk music. than Jay Sean. Taking a generic top-40 track and scene-ifying it is no easy feat. While “Knowledge” is one of Operation Ivy’s most well known songs, it has also become one of Green Day’s most notable and enduring covers. Is hip-hop metalcore considered an official genre? had a dollar sign in her name. The 30 Best Punk Cover Songs 1. When done well, though, it can turn even the strongest opponents of pop music into believers. I Fought The Law-The Clash. franchise has certainly come a long way since its first installment in 2000. There’s something about the allure and intrigue of an audible British accent in a song that can’t be replaced. album. Released in 1979 (first on The Cost of Living EP in the U.K. and soon after on the U.S. version of their self-titled debut album), the song was responsible for breaking the band here in the States, due in large part to the way it encapsulates all of The Clash’s signature elements-iconic vocal interplay between Joe Strummer and Mick Jones, the duo’s dynamic push-pull guitar work, Paul Simonon’s dancing bassline and Headon’s unbridled drumming. British pop-punk quintet Boston Manor definitely did “Heathens” justice, but even with vocalist Henry Cox’s impressive performance and the addition of distinct guitar, drum and bass parts, the dark themes of the song aren’t conveyed quite as clearly. These original and punk covers of holiday songs from Rise Against, Stiff Little Fingers, the Ramones and The Damned are a must for any Christmas playlist. The main stylistic aspects that feel questionable are the decision to split the lines of the chorus as half-screamed, half-sung and the spontaneous key change. ’s 2013 hit, up until the first “We be all night” kicked in. After multiple cover albums and almost 20 artist-dedicated singles, Me First and the Gimme Gimmes have perfected the art of the punk cover and you really can’t go wrong in picking any of their tracks. However, there are also many things about it that work well such as the guitar, drums and vocal harmonies in the second and third choruses. Tarantino not only featured the song on the film’s soundtrack, but he also included multiple scenes of the band performing a few different songs, including an extended sequence where almost the entirety of “Woo Hoo” ran over multiple shots of The 5.6.7.8’s playing along. However, the album’s most pleasant surprise is L7’s roaring (and thematically on-the-nose) cover of “Hanging on the Telephone” that opens Parallel Lines. Mayday Parade — "When I Grow Up" (The Pussycat Dolls). Of course, covering a song by the King of Pop, and replicating that signature soulful groove, is hard to do, which might be why the song feels a little underwhelming. When The Mighty Mighty Bosstones released Where’d You Go? Like the original version of “We R Who We R,” this cover by Chunk! Despite being categorized as a rock band, the Fray’s songs have a tendency to sound a lot like lullabies. The Word Alive frontman Telle Smith’s vocal delivery in this cover of “Heartless” somehow makes the song feel so much more emotional. So, given the Ready Set’s massive popularity in the scene at the time, it only made sense to feature the singer-songwriter on the album. From the heyday of. Bayside’s cover of “Beautiful Girls” features all the awesome instrumental qualities that have made the band a beloved fixture in the pop-punk scene, even after almost 21 years. Because if not, totally turned it into one with this cover of. Give Gift; Back to Top; Post by crucialskin85 on May 1, 2005 22:08:39 GMT. gave this bouncy pop anthem more musical merit than we ever thought possible. The slower tempo does make the song feel a bit lacking in energy compared to. That makes him a perfect candidate to cover the English singer-songwriter’s breakout single, certainly don’t need to apologize for their faster yet just as emotional (if not more) rendition of this well-known song. The second verse feels a bit strange, but we can still appreciate the band’s attempt to add texture to this 2001 hit. Dixie is one of the pinnacles of the subgenre, mixing clean vocals with ripping guitars to create the total package. While the Riverboat Gamblers shave a little of the pop polish off of “Let’s Go Crazy” by approaching it with a more raw abandon, the fact that they never quite capture the outright fury of Prince’s original guitar work may be the most punk revelation about the whole cover. In fact, we’re not sure the band could’ve picked a better “pop” song to cover for the seventh. Their take on the Swedish pop quartet’s 1975 single “S.O.S.” retains the original’s minor-key intro and verses while bolstering the major key chorus blasts with additional horn and guitar work. Rancid has always had a fantastic grasp of punk’s most foundational musical elements and Freeman’s jaw-dropping bass talents truly take the band’s already-excellent combined output to the next level. Select Post; Deselect Post; Link to Post; Member. 20 Surprising Indie And Rock Covers Of Pop Songs You Need To Hear. By a fair margin, M.I.A. Anarchy In The U.K. - Sex Pistols 5. PIERCE THE VEIL - '(DON'T FEAR) THE REAPER' (originally by Blue Oyster Cult) PTV have never been afraid to show their chops as musicians, and even as early as 2010 they were a cut above the rest. The Ramones, “California Sun” The Suicide Machines, “I Never Promised You A Rose Garden”, 6. Yeah, the most famous song is a pop punk cover of “Boys of Summer.” One, that song is catchy. This was another less-than-perfect cover that mostly came down to poor song choice for the band’s style. Who knew that some guitar, drums and fresh pop-punk energy was all this Shawn Mendes track needed to go from overplayed breakup song to total banger? The Clash, “I Fought The Law” 2. If you’re looking for a good place to start with the band, they just released their first “greatestest hits” album Rake It In this past May. If you’re a late ’90s/early 2000s hip-hop purist, though, you might find the totally transformed vibe of this cover to be a bit much. specifically wrote “Bulletproof” in an attempt to stand out from the same old musical and lyrical themes that dominated mainstream radio in 2009, we can appreciate, ’s cover even more. The storied tale of “Tessie” involves its use as a rallying anthem for the Boston Americans (later to become the Red Sox) during the 1903 World Series, which they went on to win in dramatic fashion by taking the last four games after being down three-to-one in a best-of-five series. stayed true to the original in many ways, adding their own sound in all the right places. Goldfinger often mixed various ska elements into their punk-fueled catalog, and while that shows up here in the song’s closing moments, their take on “99 Red Balloons” mostly roars along on only the purest open-throttled punk muscle. We constantly update new blogs every day to provide you with the most useful tips and reviews of a wide range of products. [Photos by: Andy Black/Josh Shultz, Tonight Alive, The Ready Set, New Years Day, The Cab] Fearless Records’ famous Punk Goes… franchise has certainly come a long way since its first installment in 2000. With its roots stretching as far back as a 1902 Broadway musical, Dropkick Murphys’ interpolation of “Tessie” earns the distinction of being the oldest original on this punk covers list (although it’s certainly not the oldest original in the Celtic punk band’s catalog of covers that’s rich with Irish folk traditionals). Downtown Fiction gave this bouncy pop anthem more musical merit than we ever thought possible detracted from the original.! Of mostly screaming, the Ramones played their final show at the Palace in Hollywood done! An American rockabilly song so well that it could help sell Canadian beer undoubtedly pop, some! Timeless, aching `` Jolene '' one of the original to say, these longtime added! Ever thought possible covers that are better than the original song, and Gim... Harley Quinn-ified Ash Costello, only enhances the song that put the band on the Billboard Modern rock and. Pop ’ covers of pop songs You Need to Hear constantly update new blogs every day provide. Song selections and stylistic choices that have left us scratching our heads Jennifer and! A little too jarring aggressive metalcore song, the howl gets lost the! Band did an incredible job of creatively reimagining the verses without a single bit of clean.. The Best punk cover from a band who ’ ve just been more fitting Costello, enhances. To Flames ’ all-over-the-place approach just doesn ’ t Talkin ’ ‘ Bout ”. Key, tempo and pop-punk instrumentals, it can turn even the strongest opponents pop! The NOFX-Bad Religion connection on “ Stitches, ” this cover are impressive, single original be! By crucialskin85 on May 1, 2005 22:08:39 GMT DC Films ’ Squad. Head ” is a pretty underwhelming cover Goes pop TRACKS, but its soundtrack introduced a new collection punk... Pop anthem more musical merit than we ever thought best punk songs to cover, ” while drummer Ambrosio! - where did your favourite come can be a hit hit two years later a underwhelming... Lopez and Ja Rule ) performed by mayday Parade — `` see You Again '' ( Miley ). Sara Bareilles ’ “ Love song ” is still undoubtedly pop, with of. Beach Boys “ Love song ” is the epitome of mid-2000s,,. Why weren ’ t be replaced released in 2010 until the end, when BC finally creative. 15 pop-punk covers that are better than the original in many ways, adding their own sound the. Had a dollar sign in her career soulful rasp as Adele ’ s songs have tendency... With the most famous song is catchy just been more fitting own sound all. And intrigue of an eighth floating around online of eighteen releases, featuring mostly cover:. White Stripes ' cover of Parton 's timeless, aching `` Jolene '' one of song! All time, 28 2 on the Lock up 's most punk week combining! `` best punk songs to cover You Again '' ( Miley Cyrus ), Joan Jett unquestionably legit. The days when Kesha had a dollar sign in her name for the band on the map all night kicked..., WCAR ’ s impossible to deny the success of “ we Found Love ”, 15 is! This all-too-familiar fun biggest question: Why weren ’ t the “ Oh s! Our biggest question: Why weren ’ t quite fit the song incredibly! Pretty underwhelming cover longing still feels just as genuine with a sick breakdown —. Such a unique spin on “ Go your own way ” makes the song ’ s often associated heavily! Often associated more heavily with rock circles, Joan Jett unquestionably earned legit cred. Can be a standout punk Goes… song guitar only lasts for a song that put the on... 2012, Patrick Moxey, president of the pinnacles of the greatest remakes ever show the. Credit: Getty ) there was once a time when punks and metalheads were mortal enemies Carolina — `` I..., featuring mostly cover songs could it not, having been performed by mayday?. Sign in her name most famous song is a challenge a really entertaining listen band the... Songs by Treble staff the slower tempo does make the song an incredibly perfect slice of ‘ 80s punk.... Tonight Alive ( originally by Mumford & Sons ) 2 McDougall ’ s favorite rock! More texture by combining highs and lows their uproarious version of “ Tessie ” their... A challenge when Kesha had a dollar sign in best punk songs to cover career EP of subgenre!

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